![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0GDuNAJRuzTrgXlwNNkqplR9SEy50SWFtw4-BwD-474HdKzGILQlUL73Y6SxlG_nqa1ftZkEpblilWwdfu36ob42VE1X2-W72kbrWDF493ISFVIzJKJv5MsOijLJmArDUC8tiA_Y0b_un/s320/AndyWarhol.jpg)
The picture that I will be duplicating from Andy Warhol's photography is this picture. The picture consists of his white face (with his hair going in different directions) with a pitch black background. His hair, white, blends into the background at the ends and the edges of the picture. There is a lot of contrast in this picture, since it mainly consists of the whitest of whites and the blackest black. Therefore, a lot of overexposure and underexposure is needed. The portrait is posed portrait, dead on. Therefore the following techniques are needed.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwaKJUA4LLp3_Lsq5M1Ck-7oqJKFhD7M-VNfjpTaBc2tkWe2G1cU0uc2SU6G1Hoai-RMvyqaUVLTSgxZ9aKs2vEZqyuZug6SfAzlt2XNqlst6bYa1qXqU8Mk44Ab-h-MpPXrBX6Sd5QsOQ/s320/golden-temple-three-idols-all-shots.jpg)
1. Overexposure and Underexposure
Overexposure is a photography technique that makes the photograph a lot brighter, especially the whites. Underexposure is a lack of light in a photography, meaning a darker image.
2. Posed Portraits
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGKBPttV6UH-oQI3x9i6zjKyJeyBJrvuoirdBQyBGUy8aJI6XSEMyDk_KD5JuoD-_aLd3Kb-KFsrawm1Ux1ktMGYtzvNgLbVGAF0aBpUeETBE3eWu7CYq7cJApKAhIe6sGEzADxUR0zzV-/s320/sc008.jpg)
Posed portraits are portraits that are posed (obviously), opposed to action shots. It can take hours for a portrait to be posed correctly. Sometimes, posed portraits include the subjects of the photo to be staring straight at the camera, other times looking at other subjects in the shot.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk2hUJ3q8MtcluBOu5XEZF9Ps3HiyFPOCXatZaX7Wm9bLToi-mr0JKDrt3P6NFioc1YlvwkSuTRpuRcwJI66jncqL3sV4juAhKxjF7QL9Q4bW1jKHspFNVnx99FUljwpfwhQfwJsayL3sb/s320/high-contrast.jpg)
3. Contrast
Contrast is a style used to create a sort of clash between the dark darks and light lights, or sharp colors on the opposite ends of the spectrum.
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